“Surtout une Guerre de Chemin de Fer”: The Paramount Role of Railways in The Great War

Introduction

“Cette guerre est surtout une guerre de chemin de fer.” – French General Joseph Joffre[1]

World War I has often been historically associated with advances in military technology and the brutal impact those improvements had on the conduct and outcome of that war – and all future conflicts. Some of these technologies were invented to solve the problems that the Great War posed, while others were adapted and brought into use in ways that had not previously been possible or viable. Innovations in tactics and strategy were part and parcel of these novel technological approaches and came to define the war experience for many who lived through it, as well as in the popular imagination ever since.

Most people, when asked what image defines the First World War for them, would describe the impressive and widespread use of trenches and their development into semi-permanent military infrastructure; the use of and innovation in trench warfare – from electric lights and steel reinforcements to communication lines and well-organized trench networks – could certainly be considered a technological aspect of the war. Those trenches were intimately associated with another major technology of the war: the machine gun. Rapid-fire weaponry had been used in previous conflicts, but it had never been adopted on such a mass scale or used so effectively against troops following classic mass bayonet charge tactics; the success of the machine gun reinforced the stagnation of trench warfare, making it nearly impossible to cross the open ground of ‘No Man’s Land’ safely.[2] Other respondents would mention artillery as being the prime military technology of the war, as it caused seventy percent of all casualties, accounted for a great deal of wartime production, and was a near-constant aural presence during the four years of combat.[3] Artillery was not only present during the land battles of the war, it also was the prime means of naval surface combat, with ever-larger guns being implemented on battleships and dreadnoughts throughout the four years of fighting, some of which were able to hit targets nearly twenty miles away.[4] Yet artillery was not the only technology making an impact at sea – Germany used submarine warfare in a way that no other power had previously attempted, pushing an unrestricted submarine war against commerce in which “the surface navy was relegated to a position of support.”[5] This new, modern way of waging war was seen as barbaric and unprincipled by the Entente powers[6], and made a major impression not only on the future conduct of warfare – German U-boats were even more deadly in World War II – but on the Great War itself: without unrestricted submarine warfare, it is far less likely that the United States would have entered the conflict.[7]

The Great War also saw some entirely new technologies being developed or adapted for warfare, perhaps the most influential of which in the long-run was the advent of aerial combat. At the start of the war, planes were primarily used on a small-scale basis, focusing on artillery spotting, reconnaissance, and some air-to-air dogfighting. As the war progressed and transformed into the mass phenomenon that it would be remembered as, the role of planes grew immensely and changed in nature: now planes were used not only in a support role, they entered into their more recognizable modern roles as bombers and fighter planes delivering fire on enemy targets.[8] By the end of the conflict, the British had established the world’s first air force and the airplane had been fully integrated into combat tactics and planning, setting the stage for the next century of warfighting.[9] The other defining technology of twentieth-century warfare that debuted during the First World War was the tank. The tank made its first appearance under the British flag at the Battle of the Somme in September 1916, but it was often a disappointment during the war; tanks regularly broke down, had a very slow top speed, and had to deal with limited range.[10] Still, the tank made some difference, especially at the end of the conflict when lighter designs helped the Entente powers break through the German lines and concentrate firepower on military targets. The development of the tank as the prime weapon of a war of movement was still on the horizon at the end of the war, and it was not until the Second World War when it truly came into its own as a combat vehicle. Another military technology commonly associated with World War I was poison gas, which saw its greatest prevalence during this conflict, having been banned shortly thereafter in 1925.[11] Poison gas – not to be confused with the nonlethal tear gas which is still used in combat – was first used by the Germans against the French and Canadians at Langemarck near Ypres in April 1915[12]; it was controversial at the time and was labeled unchivalrous, repugnant, and demonic by critics on both sides.[13] The technology of gas attacks – and defense against them – advanced during the war, as different types of chemicals and more successful gas masks were developed at a rapid clip. These technologies – trenches, machine guns, tanks, artillery, planes, submarines, and poison gas – are all deeply connected to World War I in the popular and academic minds, yet none of them can accurately be seen as the technology which defined the war. To truly be the defining technology of the war requires not only involvement in every aspect of it, from start to finish, but also necessitates that the technology itself was defined by the conflict; most of the aforementioned technologies kept advancing in their military application and became more important to warfighting over time. There is only one technology which fully fits this paradigm: the railroad.

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Blood, Iron, & Fortune: Otto von Bismarck & the Role of Chance in Statesmanship

Introduction

History is, by its very nature, contingent; that contingency has gone by many names over the eons: luck, chance, fate, or – if one is inclined to see the workings of the divine in history – Providence. The famed Renaissance political philosopher and theorist Niccolò Machiavelli, in his masterwork The Prince, called this element of randomness Fortune and saw it as a major factor in the passage of history and the practice of statesmanship. He did not, however, see Fortune as the only factor in human affairs, instead writing that “I hold it to be true that Fortune is the arbiter of one-half of our actions, but that she still leaves us to direct the other half, or perhaps a little less.”[1] What is more important than luck is how the statesman deals with that element of chance – fortune or misfortune – and his ability to succeed in achieving his goals regardless of the quirks of fate. That, for Machiavelli, meant that a key job of the statesman was to “direct his actions according to the spirit of the times” so as to tame the whims of Fortune and use them to his own advantage.[2] To bring this idea down from the lofty heights of political philosophy to the everyday practice of government, Machiavelli analogized Fortune to a flowing river, saying:

I compare her to one of those raging rivers, which when in flood overflows the plains, sweeping away trees and buildings, bearing away the soil from place to place; everything flies before it, all yield to its violence, without being able in any way to withstand it; and yet, though its nature be such, it does not follow therefore that men, when the weather becomes fair, shall not make provision, both with defences and barriers, in such a manner that, rising again, the waters may pass away by canal, and their force be neither so unrestrained nor so dangerous. So it happens with fortune, who shows her power where valour has not prepared to resist her, and thither she turns her forces where she knows that barriers and defences have not been raised to constrain her.[3]

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‘Petty Despots’: The Condottieri Tyrants of Quattrocento Italy

Introduction

* The images from the Appendix referenced herein are instead spread throughout the text of this essay for easier reading. Enjoy!

When the term ‘Italian Renaissance’ is used, most people think of figures like da Vinci, Michelangelo, Botticelli, and Petrarch; this association with a flourishing of the arts and Western culture is understandable, yet it misses much of the complexity and dynamism inherent in the period, especially during the fifteenth century. That period – known historically as the Quattrocento – was a time of rapid change, political tumult, and dynastic struggle throughout the Italian Peninsula. These geopolitical evolutions were just as radical and revolutionary as were those occurring in the cultural world at the time; in fact, without the political developments of the Quattrocento, many of the cultural aspects of the Renaissance may never have gotten off of the ground. To gain a better understanding of these changes and their impact on society, one must understand the very different political situation in Italy prior to the Renaissance.

Italian history for the few centuries before the Quattrocento was largely dominated by two powerful forces: the Papacy and the Holy Roman Empire of the Hohenstaufens. These factions were mutually reliant on one another for legitimacy as well as rivals for the overlordship of the Italian Peninsula. This conflict defined the late Medieval period in Italy, culminating with the Guelf-Ghibelline wars and vendettas in the twelfth and thirteenth centuries. This all changed in the fourteenth century, however, as the Papacy relocated to Avignon, spiraled into a destructive schism, and lost much of the temporal power formerly emanating from its traditional seat in Rome. With respect to the Holy Roman Empire, a previously dominant power in Italy, the historian Jacob Burckhardt states that “The Emperors of the fourteenth century, even in the most favourable case, were no longer received and respected as feudal lords, but as possible leaders and supporters of powers already in existence.”[1] Upon the return of the Popes to Italy in 1376 and the resolution of the Great Western Schism with the election of Pope Martin V in 1417, the Papacy once again sought to retake its temporal role in Italian politics. However, the Italian world into which this newly invigorated Papacy was returning to assert its traditional role was not at all the same one which it had left in the early fourteenth century. During the period of the ‘Babylonian Captivity’ of the Church, the political situation in Italy had devolved away from a more unified, hierarchical, feudal-type system into a patchwork of independent city-states, statelets, and kingdoms which often were involved in intractable conflicts with one another. The power vacuum created by the flight of the Popes to France and the aloofness of the Holy Roman Empire allowed for the flourishing of local civic identity, the creation of territorial rivalries, and the internecine Italian conflict which came along with them.

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“The Remedy to be Applied is More Speech”: Debunking Holocaust Denial

Introduction

“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”[1]

Freedom of speech is a fundamental aspect of American society and an important classical liberal ideal, but it is a right which is not always convenient, convivial, or comity-inducing. In fact, allowing the full flourishing of the freedom of expression and speech often includes permitting speech that much of society will find despicable, evil, offensive, or harmful. Unfortunately, there is a strong cultural – and outside of the United States, legal – movement to restrict speech freedoms and police the public discourse, sometimes with actual police officers.[2] This trend is only accelerating with the mass adoption of social media and Internet communications more broadly, as well as the perpetually searchable online past of nearly everyone in society. So-called ‘cancel culture’ is commonplace in certain circles of political and social activism, and virtually every potentially controversial opinion (and many that are not) is met with the metaphorical gnashing of teeth and rending of garments.[3] There are increasing levels of pushback against this trend, but the idea of ‘de-platforming’, stifling, or censoring speech which the vast majority of society considers beyond the pale – support for terrorism and blatant white supremacy, to give two examples – is quite popular, especially among younger people. According to a poll conducted by the Campaign for Free Speech, “61 percent of Americans agree that free speech should be restricted, and 51 percent believe that the First Amendment, ratified in 1791, should be rewritten to reflect the new cultural norms of today. Millennials feel a greater sense of negativity from free speech, with 57 percent agreeing that the First Amendment should be rewritten, and 54 percent believing that possible jail time would be an appropriate consequence for ‘hate speech.’”[4] Despite the strong American constitutional protections for free speech, as seen in the First Amendment quoted above, without a strong cultural presumption and acceptance of the values around free speech, the right itself can be chipped away.

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The Victorian Cold War

The Great Game and the Eastern Question in the Late Nineteenth Century

Introduction

The Cold War between the United States and the Soviet Union was a global geopolitical, commercial, and strategic conflict which ran from the end of the Second World War in 1945 through the collapse of the USSR in 1991. This long-term, aggressive confrontation between two major world powers without direct military combat was, to many, an unprecedented occurrence which had no major modern historical analogs.[1] Many observers expected the period after World War II to be as rife with conflict as were the years of the first half of the twentieth century, but this was not the case; a number of factors contributed to this, including nuclear weaponry and greater use of  diplomacy.[2] “The absence of another great power war was given its name ‘the Long Peace’ by John Gaddis in 1986, a term that endured after the end of the Cold War as this absence continued.”[3] The fact that this period was uncommonly peaceful was both unexpected and welcome; it has been studied for years as a fascinating historical development. But was it a novel historical circumstance at all? If one looks closely, one can find a significant analog just a century earlier.

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