Blood, Iron, & Fortune: Otto von Bismarck & the Role of Chance in Statesmanship

Introduction

History is, by its very nature, contingent; that contingency has gone by many names over the eons: luck, chance, fate, or – if one is inclined to see the workings of the divine in history – Providence. The famed Renaissance political philosopher and theorist Niccolò Machiavelli, in his masterwork The Prince, called this element of randomness Fortune and saw it as a major factor in the passage of history and the practice of statesmanship. He did not, however, see Fortune as the only factor in human affairs, instead writing that “I hold it to be true that Fortune is the arbiter of one-half of our actions, but that she still leaves us to direct the other half, or perhaps a little less.”[1] What is more important than luck is how the statesman deals with that element of chance – fortune or misfortune – and his ability to succeed in achieving his goals regardless of the quirks of fate. That, for Machiavelli, meant that a key job of the statesman was to “direct his actions according to the spirit of the times” so as to tame the whims of Fortune and use them to his own advantage.[2] To bring this idea down from the lofty heights of political philosophy to the everyday practice of government, Machiavelli analogized Fortune to a flowing river, saying:

I compare her to one of those raging rivers, which when in flood overflows the plains, sweeping away trees and buildings, bearing away the soil from place to place; everything flies before it, all yield to its violence, without being able in any way to withstand it; and yet, though its nature be such, it does not follow therefore that men, when the weather becomes fair, shall not make provision, both with defences and barriers, in such a manner that, rising again, the waters may pass away by canal, and their force be neither so unrestrained nor so dangerous. So it happens with fortune, who shows her power where valour has not prepared to resist her, and thither she turns her forces where she knows that barriers and defences have not been raised to constrain her.[3]

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‘Petty Despots’: The Condottieri Tyrants of Quattrocento Italy

Introduction

* The images from the Appendix referenced herein are instead spread throughout the text of this essay for easier reading. Enjoy!

When the term ‘Italian Renaissance’ is used, most people think of figures like da Vinci, Michelangelo, Botticelli, and Petrarch; this association with a flourishing of the arts and Western culture is understandable, yet it misses much of the complexity and dynamism inherent in the period, especially during the fifteenth century. That period – known historically as the Quattrocento – was a time of rapid change, political tumult, and dynastic struggle throughout the Italian Peninsula. These geopolitical evolutions were just as radical and revolutionary as were those occurring in the cultural world at the time; in fact, without the political developments of the Quattrocento, many of the cultural aspects of the Renaissance may never have gotten off of the ground. To gain a better understanding of these changes and their impact on society, one must understand the very different political situation in Italy prior to the Renaissance.

Italian history for the few centuries before the Quattrocento was largely dominated by two powerful forces: the Papacy and the Holy Roman Empire of the Hohenstaufens. These factions were mutually reliant on one another for legitimacy as well as rivals for the overlordship of the Italian Peninsula. This conflict defined the late Medieval period in Italy, culminating with the Guelf-Ghibelline wars and vendettas in the twelfth and thirteenth centuries. This all changed in the fourteenth century, however, as the Papacy relocated to Avignon, spiraled into a destructive schism, and lost much of the temporal power formerly emanating from its traditional seat in Rome. With respect to the Holy Roman Empire, a previously dominant power in Italy, the historian Jacob Burckhardt states that “The Emperors of the fourteenth century, even in the most favourable case, were no longer received and respected as feudal lords, but as possible leaders and supporters of powers already in existence.”[1] Upon the return of the Popes to Italy in 1376 and the resolution of the Great Western Schism with the election of Pope Martin V in 1417, the Papacy once again sought to retake its temporal role in Italian politics. However, the Italian world into which this newly invigorated Papacy was returning to assert its traditional role was not at all the same one which it had left in the early fourteenth century. During the period of the ‘Babylonian Captivity’ of the Church, the political situation in Italy had devolved away from a more unified, hierarchical, feudal-type system into a patchwork of independent city-states, statelets, and kingdoms which often were involved in intractable conflicts with one another. The power vacuum created by the flight of the Popes to France and the aloofness of the Holy Roman Empire allowed for the flourishing of local civic identity, the creation of territorial rivalries, and the internecine Italian conflict which came along with them.

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“The Remedy to be Applied is More Speech”: Debunking Holocaust Denial

Introduction

“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”[1]

Freedom of speech is a fundamental aspect of American society and an important classical liberal ideal, but it is a right which is not always convenient, convivial, or comity-inducing. In fact, allowing the full flourishing of the freedom of expression and speech often includes permitting speech that much of society will find despicable, evil, offensive, or harmful. Unfortunately, there is a strong cultural – and outside of the United States, legal – movement to restrict speech freedoms and police the public discourse, sometimes with actual police officers.[2] This trend is only accelerating with the mass adoption of social media and Internet communications more broadly, as well as the perpetually searchable online past of nearly everyone in society. So-called ‘cancel culture’ is commonplace in certain circles of political and social activism, and virtually every potentially controversial opinion (and many that are not) is met with the metaphorical gnashing of teeth and rending of garments.[3] There are increasing levels of pushback against this trend, but the idea of ‘de-platforming’, stifling, or censoring speech which the vast majority of society considers beyond the pale – support for terrorism and blatant white supremacy, to give two examples – is quite popular, especially among younger people. According to a poll conducted by the Campaign for Free Speech, “61 percent of Americans agree that free speech should be restricted, and 51 percent believe that the First Amendment, ratified in 1791, should be rewritten to reflect the new cultural norms of today. Millennials feel a greater sense of negativity from free speech, with 57 percent agreeing that the First Amendment should be rewritten, and 54 percent believing that possible jail time would be an appropriate consequence for ‘hate speech.’”[4] Despite the strong American constitutional protections for free speech, as seen in the First Amendment quoted above, without a strong cultural presumption and acceptance of the values around free speech, the right itself can be chipped away.

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The Victorian Cold War

The Great Game and the Eastern Question in the Late Nineteenth Century

Introduction

The Cold War between the United States and the Soviet Union was a global geopolitical, commercial, and strategic conflict which ran from the end of the Second World War in 1945 through the collapse of the USSR in 1991. This long-term, aggressive confrontation between two major world powers without direct military combat was, to many, an unprecedented occurrence which had no major modern historical analogs.[1] Many observers expected the period after World War II to be as rife with conflict as were the years of the first half of the twentieth century, but this was not the case; a number of factors contributed to this, including nuclear weaponry and greater use of  diplomacy.[2] “The absence of another great power war was given its name ‘the Long Peace’ by John Gaddis in 1986, a term that endured after the end of the Cold War as this absence continued.”[3] The fact that this period was uncommonly peaceful was both unexpected and welcome; it has been studied for years as a fascinating historical development. But was it a novel historical circumstance at all? If one looks closely, one can find a significant analog just a century earlier.

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The End of History or a Familiar Refrain?

The River of Time

From the very beginning of recorded history through the modern day, humans have experienced radical fluctuations in our political systems, our personal ideologies, our liberties, and the way we live our lives. We have embraced the idea of change as a species, and writers and thinkers throughout the course of history have reflected this obsession. Heraclitus of Ephesus, one of the earliest ancient philosophers, saw the reality of change as universal in nature and among mankind; his idea that the only constant in life is change has echoed through the millennia that have elapsed since he lived.[1] One of the trademark opaque phrases of Heraclitus that illuminates this idea states that “All things come into being through opposition and all are in flux like a river”[2]; this image of the river is useful in understanding change and our human perception of it. For as much as we can see the change that is occurring through the flow of the river, we also perceive the river as unchanging so long as it remains flowing and within its banks. This perception of change reflects a deeper reality in human affairs, as we often recycle or rediscover older ideas or paradigms and see them as novel inventions of our own time. Our language and idioms have reflected this for quite some time; the phrase ‘everything old is new again’ is common in English-speaking societies, but the feeling it expresses is universal. The French use – in their stereotypically pessimistic and existential manner – the idiom ‘plus ça change, plus c’est le même chose’, which translates roughly as ‘the more things change, the more they stay the same’.[3] This phrase captures a key sentiment in humanity which has been repeated through history – that of the fact that constant change generally does not truly reverse the basic order of things or change human nature. This is true for historical change in ideologies and political systems as much as it is for anything else; the only constant, which remains the same throughout time, is that things are always in a state of flux and humans tend to repeat older ideas or cycles in newly updated ways. If this is true, we should expect human societies to always be in a state of change and conflict; yet some theorists throughout history have taken an opposite approach, claiming that history itself has an endpoint or goal. Historians and thinkers who fall into this teleological camp – from Augustine and Bossuet to Hegel and Marx – vary wildly in their ideas about history, but all agree that history is progressing towards a specific end. Still, few of these thinkers saw their own time as representing the ‘end of history’, only predicting that it would come at some point in the future. For most of the human past, the idea that history had ‘ended’ would have seemed ridiculous, especially given the inexorable reality of change and the often-drastic upheavals that surrounded it. But apparently unique historical circumstances only a few decades ago led many to embrace this old philosophy anew and claim that their era was indeed the realization of the ‘end of history’.

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