‘Scratch a Russian’: The Influence of the ‘Mongol Yoke’ on Russia

Introduction     

“Scratch a Russian and you’ll find a Tatar.” This famous aphorism playing up the relationship between Russians and the steppe peoples who once lorded over them under the auspices of the Golden Horde has been used to denigrate or dismiss Russia in comparison to Western Europe for centuries. But does this maxim contain a grain, or more, of truth? The debate over this important question has been raging for longer than the Horde control over Russia lasted, and it has no conclusive end in sight. According to Charles Halperin, “Most specialists in medieval Russian history have described the Mongol influence as negligible or entirely deleterious” (Golden Horde vii), but more recent scholarship has challenged these age-old conclusions. In a lively discussion in the pages of the journal Kritika, scholars Halperin, Donald Ostrowski, and David Goldfrank litigate this issue with gusto; these debates exemplify the diverse positions that can be plausibly argued given the available evidence.  In the case of the ‘Mongol Yoke’, clear evidence is unfortunately lacking. Due to the sack of the Golden Horde capital of Sarai by the warlord Tamerlane around 1395, we are entirely lacking any archival records of the Tatar[*] administration of Russia. Russian sources are far more prevalent, but as will be discussed later, are also heavily biased against the Tatars and any possible positive influence they had on their Russian successors. Given this evidentiary challenge, falling on either side of a binary on the question of the impact of the ‘Mongol Yoke’ seems somewhat absurd, yet many scholars take these positions. The true answer likely lies deep in the gray area between the two poles. This paper will argue that the ‘Mongol Yoke’ had a distinct, significant impact on its direct successor state of Muscovy, as well as future Russia, but that the new state did not necessarily see itself as a direct continuation of the Tatar legacy nor did it adopt Tatar institutions wholesale. Evidence of the Tatar impact, or lack thereof, in the areas of economics, military matters, the administrative state and its institutions, religion, and culture will be examined.

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The Road Not Taken: Medieval Novgorod as an Alternate Path in Russian History

Introduction

Counterfactuals and hypotheticals can be useful frames through which to examine history, as they can help scholars understand that the future is never set in stone and that contingent factors leading to diverging paths can result in wildly different potential outcomes for societies. Pre-Imperial Russian history is replete with these sorts of ‘what-if’ questions, ranging from thoughts about possible development were the Mongols to have avoided Russia to changes that may have resulted from a full Polish takeover of Muscovy during the Time of Troubles. One such question that sparks the imagination is: What would Russian history look like if the medieval statelet which anchored the nascent Russian nation was Novgorod instead of Muscovy? Would Russia have made a decisive turn towards Europe, centuries before the actions of Peter the Great? Unfortunately, historians can never know the answers to these questions; yet by studying the unique cultural aspects of medieval Novgorod, its parallel, but opposing development with respect to Muscovy, and the institutions and policies that made it different, we can envision the road not taken.

Medieval Novgorod, often styled as ‘Great Novgorod’ (Velikii Novgorod) or ‘Lord Novgorod the Great’ (gospodin Velikii Novgorod) after the mid-fourteenth century[1], was a semi-autonomous city-state located in the northwest of the lands comprising the polity of Kievan Rus’. It was distinct in nearly all attributes of state and society – economics, culture, religion, foreign relations, and internal politics – from other Russian polities of the time, particularly Muscovy. Novgorod was an essentially independent entity within greater Russia from the time of its expulsion of Prince Vsevolod Mstislavich in 1136 through its capture by Grand Prince Ivan III in 1478[2], but its history and alternative path began at least two centuries earlier. The city-state’s unusual character was reflected in its status as the only nominally republican polity in the Russian lands, as well as its ability to abstract itself from many of the typical concerns and politics that roiled its neighbors. It was able to keep its singular way of life, system of government, and ancient privileges of self-rule intact through five centuries of unmitigated chaos which completely upended the rest of Russian society. Novgorod’s history can be handily divided into four segments: the period of early settlement and development (900s to 1136), the phase of initial autonomy under Kiev (1136 to 1240), the era of local rule under the Mongols (1240 to 1387), and the final age of independence before the Muscovite takeover (1387 to 1478).[3] During this era of autonomy and self-rule, the city-state controlled more than the city of Novgorod proper and its immediate environs; it held and administered a territorial and colonial empire that, at its zenith, “stretched from the Baltic to the Urals and covered an area approximately the size of present day France, Belgium and the Netherlands combined.”[4]

Many attributes of Novgorod were remarkable when it came to the rest of Russia in the medieval period, but four key factors are the most relevant to the city-state’s development as an alternative to Muscovy: internal politics, foreign affairs, economics and commerce, and religion and culture. All of these realms of Novgorodian civilization were distinct from those of Muscovy in the medieval era and presage some of Imperial Russia’s future alignments and ideologies. From strong relations with the West, especially Germany, to the focus on commercial expansion and resource exploitation, Novgorod was reminiscent of Peter the Great’s Russia, as well as contemporary European maritime city-states. Novgorod was an outpost of high culture and religious piety in an age when neither were in large supply elsewhere in Russia; the pragmatic policies of the city-state allowed it to weather the storms of internecine Russian warfare, Mongol invasion and hegemony, and rising Muscovite autocracy – at least until 1478. It was in that fateful year that Novgorod’s nominal autonomy, independent status, and inimitable civic ethos fell to the armies of Moscow; still, Novgorodian cultural currents remained bubbling under the surface as a wellspring of the famed Russian ideology of dissent for centuries afterwards.[5] Before delving into the specific traits of Novgorodian life that made it special, it is critical to contextualize how and why Novgorod was able to develop this exceptionality.

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“Surtout une Guerre de Chemin de Fer”: The Paramount Role of Railways in The Great War

Introduction

“Cette guerre est surtout une guerre de chemin de fer.” – French General Joseph Joffre[1]

World War I has often been historically associated with advances in military technology and the brutal impact those improvements had on the conduct and outcome of that war – and all future conflicts. Some of these technologies were invented to solve the problems that the Great War posed, while others were adapted and brought into use in ways that had not previously been possible or viable. Innovations in tactics and strategy were part and parcel of these novel technological approaches and came to define the war experience for many who lived through it, as well as in the popular imagination ever since.

Most people, when asked what image defines the First World War for them, would describe the impressive and widespread use of trenches and their development into semi-permanent military infrastructure; the use of and innovation in trench warfare – from electric lights and steel reinforcements to communication lines and well-organized trench networks – could certainly be considered a technological aspect of the war. Those trenches were intimately associated with another major technology of the war: the machine gun. Rapid-fire weaponry had been used in previous conflicts, but it had never been adopted on such a mass scale or used so effectively against troops following classic mass bayonet charge tactics; the success of the machine gun reinforced the stagnation of trench warfare, making it nearly impossible to cross the open ground of ‘No Man’s Land’ safely.[2] Other respondents would mention artillery as being the prime military technology of the war, as it caused seventy percent of all casualties, accounted for a great deal of wartime production, and was a near-constant aural presence during the four years of combat.[3] Artillery was not only present during the land battles of the war, it also was the prime means of naval surface combat, with ever-larger guns being implemented on battleships and dreadnoughts throughout the four years of fighting, some of which were able to hit targets nearly twenty miles away.[4] Yet artillery was not the only technology making an impact at sea – Germany used submarine warfare in a way that no other power had previously attempted, pushing an unrestricted submarine war against commerce in which “the surface navy was relegated to a position of support.”[5] This new, modern way of waging war was seen as barbaric and unprincipled by the Entente powers[6], and made a major impression not only on the future conduct of warfare – German U-boats were even more deadly in World War II – but on the Great War itself: without unrestricted submarine warfare, it is far less likely that the United States would have entered the conflict.[7]

The Great War also saw some entirely new technologies being developed or adapted for warfare, perhaps the most influential of which in the long-run was the advent of aerial combat. At the start of the war, planes were primarily used on a small-scale basis, focusing on artillery spotting, reconnaissance, and some air-to-air dogfighting. As the war progressed and transformed into the mass phenomenon that it would be remembered as, the role of planes grew immensely and changed in nature: now planes were used not only in a support role, they entered into their more recognizable modern roles as bombers and fighter planes delivering fire on enemy targets.[8] By the end of the conflict, the British had established the world’s first air force and the airplane had been fully integrated into combat tactics and planning, setting the stage for the next century of warfighting.[9] The other defining technology of twentieth-century warfare that debuted during the First World War was the tank. The tank made its first appearance under the British flag at the Battle of the Somme in September 1916, but it was often a disappointment during the war; tanks regularly broke down, had a very slow top speed, and had to deal with limited range.[10] Still, the tank made some difference, especially at the end of the conflict when lighter designs helped the Entente powers break through the German lines and concentrate firepower on military targets. The development of the tank as the prime weapon of a war of movement was still on the horizon at the end of the war, and it was not until the Second World War when it truly came into its own as a combat vehicle. Another military technology commonly associated with World War I was poison gas, which saw its greatest prevalence during this conflict, having been banned shortly thereafter in 1925.[11] Poison gas – not to be confused with the nonlethal tear gas which is still used in combat – was first used by the Germans against the French and Canadians at Langemarck near Ypres in April 1915[12]; it was controversial at the time and was labeled unchivalrous, repugnant, and demonic by critics on both sides.[13] The technology of gas attacks – and defense against them – advanced during the war, as different types of chemicals and more successful gas masks were developed at a rapid clip. These technologies – trenches, machine guns, tanks, artillery, planes, submarines, and poison gas – are all deeply connected to World War I in the popular and academic minds, yet none of them can accurately be seen as the technology which defined the war. To truly be the defining technology of the war requires not only involvement in every aspect of it, from start to finish, but also necessitates that the technology itself was defined by the conflict; most of the aforementioned technologies kept advancing in their military application and became more important to warfighting over time. There is only one technology which fully fits this paradigm: the railroad.

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Blood, Iron, & Fortune: Otto von Bismarck & the Role of Chance in Statesmanship

Introduction

History is, by its very nature, contingent; that contingency has gone by many names over the eons: luck, chance, fate, or – if one is inclined to see the workings of the divine in history – Providence. The famed Renaissance political philosopher and theorist Niccolò Machiavelli, in his masterwork The Prince, called this element of randomness Fortune and saw it as a major factor in the passage of history and the practice of statesmanship. He did not, however, see Fortune as the only factor in human affairs, instead writing that “I hold it to be true that Fortune is the arbiter of one-half of our actions, but that she still leaves us to direct the other half, or perhaps a little less.”[1] What is more important than luck is how the statesman deals with that element of chance – fortune or misfortune – and his ability to succeed in achieving his goals regardless of the quirks of fate. That, for Machiavelli, meant that a key job of the statesman was to “direct his actions according to the spirit of the times” so as to tame the whims of Fortune and use them to his own advantage.[2] To bring this idea down from the lofty heights of political philosophy to the everyday practice of government, Machiavelli analogized Fortune to a flowing river, saying:

I compare her to one of those raging rivers, which when in flood overflows the plains, sweeping away trees and buildings, bearing away the soil from place to place; everything flies before it, all yield to its violence, without being able in any way to withstand it; and yet, though its nature be such, it does not follow therefore that men, when the weather becomes fair, shall not make provision, both with defences and barriers, in such a manner that, rising again, the waters may pass away by canal, and their force be neither so unrestrained nor so dangerous. So it happens with fortune, who shows her power where valour has not prepared to resist her, and thither she turns her forces where she knows that barriers and defences have not been raised to constrain her.[3]

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‘Petty Despots’: The Condottieri Tyrants of Quattrocento Italy

Introduction

* The images from the Appendix referenced herein are instead spread throughout the text of this essay for easier reading. Enjoy!

When the term ‘Italian Renaissance’ is used, most people think of figures like da Vinci, Michelangelo, Botticelli, and Petrarch; this association with a flourishing of the arts and Western culture is understandable, yet it misses much of the complexity and dynamism inherent in the period, especially during the fifteenth century. That period – known historically as the Quattrocento – was a time of rapid change, political tumult, and dynastic struggle throughout the Italian Peninsula. These geopolitical evolutions were just as radical and revolutionary as were those occurring in the cultural world at the time; in fact, without the political developments of the Quattrocento, many of the cultural aspects of the Renaissance may never have gotten off of the ground. To gain a better understanding of these changes and their impact on society, one must understand the very different political situation in Italy prior to the Renaissance.

Italian history for the few centuries before the Quattrocento was largely dominated by two powerful forces: the Papacy and the Holy Roman Empire of the Hohenstaufens. These factions were mutually reliant on one another for legitimacy as well as rivals for the overlordship of the Italian Peninsula. This conflict defined the late Medieval period in Italy, culminating with the Guelf-Ghibelline wars and vendettas in the twelfth and thirteenth centuries. This all changed in the fourteenth century, however, as the Papacy relocated to Avignon, spiraled into a destructive schism, and lost much of the temporal power formerly emanating from its traditional seat in Rome. With respect to the Holy Roman Empire, a previously dominant power in Italy, the historian Jacob Burckhardt states that “The Emperors of the fourteenth century, even in the most favourable case, were no longer received and respected as feudal lords, but as possible leaders and supporters of powers already in existence.”[1] Upon the return of the Popes to Italy in 1376 and the resolution of the Great Western Schism with the election of Pope Martin V in 1417, the Papacy once again sought to retake its temporal role in Italian politics. However, the Italian world into which this newly invigorated Papacy was returning to assert its traditional role was not at all the same one which it had left in the early fourteenth century. During the period of the ‘Babylonian Captivity’ of the Church, the political situation in Italy had devolved away from a more unified, hierarchical, feudal-type system into a patchwork of independent city-states, statelets, and kingdoms which often were involved in intractable conflicts with one another. The power vacuum created by the flight of the Popes to France and the aloofness of the Holy Roman Empire allowed for the flourishing of local civic identity, the creation of territorial rivalries, and the internecine Italian conflict which came along with them.

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