The video-sharing social network is a danger to personal privacy and national security.
If you know anyone under the age of 30 (or are in that group yourself), you may have heard of the most popular app in America’s youth culture – TikTok. The short-video creation and sharing app has rapidly become one of the most downloaded apps in the world, surpassing 2 billion downloads as of April 2020. Its growth has accelerated since the beginning of the year, especially taking off among teens stuck at home during the lockdowns due to the coronavirus pandemic. The app’s users are predominately young, with over 63% of users falling between the ages of 10 and 29 and 37% of the app’s US user base being categorized as ‘adolescent’. If you’ve heard about TikTok recently, it is likely either because you have seen some of the viral challenges or dances that have been going around the internet or you have read the breathless coverage surrounding the possibility that the Trump administration may ban the app in the US. I am no fan of the Trump administration, but in this case, I believe that they are fully justified in banning TikTok outright.
Thankfully I didn’t pay for this book, and you shouldn’t either.
Those of you who know me personally may know that I am a voracious reader, especially when it comes to nonfiction. Usually I’m interested in books about history, political philosophy, military, or international affairs, but when I saw a book called White Fragility trending around the internet, sitting atop the New York Times bestseller list, and receiving mass praise, I felt it was important to read it to see what all the fuss is about. I can report back that this is easily one of the most racist, ahistorical, poorly argued, and absurd books I’ve ever read. I cannot believe that this was written in the 21st century given the paternalistic assumptions it makes about those who the author, Robin DiAngelo, considers ‘non-white’. I’ve delved deeply into the official reports and personal writings of British colonial officials in the 19th century for my academic research and I cannot understand how a modern, popular, purportedly ‘antiracist’ book mirrors and exceeds the frankly racist language of those dispatches. There is an incredible array of issues with the book (I could’ve spent ages reading this and pushing back line-by-line), but I’m going to skim the surface so as to touch on the major problems, factual errors, and faulty assumptions which underlay the author’s theory.
The quote above, from Plato’s Apology, was purportedly spoken by the ancient philosopher-sage Socrates just prior to his condemnation to death by the men of Athens. His crime? According to Plato, Socrates was condemned to death for the unforgivable offense of ‘corrupting the youth’ of the august city-state through his teachings, philosophy, and exhortations to greater self-knowledge. The resolve with which Socrates met his death and the stand he took for his principles have been celebrated throughout the ages as defining examples of political and philosophical courage. One of the historical eras which was typified by its fascination with the ideas and history of the ancient Greco-Roman world was the period of the late Enlightenment just prior to the French Revolution. The story of Socrates and his principled stand in the face of a hostile state was extremely resonant for French intellectuals in this period; one such intellectual was the famed painter Jacques-Louis David, who crafted a masterpiece depicting the moments before Socrates drank the hemlock that would kill him. David’s masterwork, The Death of Socrates, is a powerful visual representation of a literary and historical event as well as being an exemplar for an Enlightenment attitude – the value of defending one’s principles even to death – that would resound throughout the French Revolution.