Compendium #2

This site is not the only place to find my writing; I have been published at numerous other outlets across the web. In this recurring series, I’ll post some choice passages from these outside pieces and show you where to find the rest. Think of this as a mere tasting of the full smorgasbord. Without further ado, here’s Compendium #2, covering mid-April through early May 2023.


Hollywood Morphs The Incredible Story Of ‘Chevalier’ Into A Blah Black-Oppression Romance, The Federalist, April 26, 2023

In this piece for The Federalist, I reviewed the film Chevalier, a biopic of the 18th century composer/fencer/revolutionary Joseph Bologne, better known as the Chevalier de Saint-Georges. I broke down how the film distorts the incredible real-life story of Bologne in service of a modern progressive narrative.

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The Urge to Purge

The Revolution always eats its own.


Wokeness, identitarianism, anti-racism, progressivism – whatever label one chooses to affix – has become an integral aspect of modern politics and the academy. Universities, high schools, and extracurricular activities have been especially prone to infection by this novel crusading ideology. There has been a panoply of these stories over the course of the past few years, with professors being defenestrated for speaking Chinese, a brouhaha over whether the entire field of Classics is racist, administrators looking at banning ‘offensive’ words like “American,” and more. One such story, published last week by the online outlet Compact Magazine, has received a great deal of attention. (Disclaimer: I am not a fan of Compact nor its New Right ideology, but even a broken clock can be right occasionally.)

The piece, titled “A Black Professor Trapped in Anti-Racist Hell,” is written by Vincent Lloyd, a professor at Villanova University. He tells the story of his time as seminar leader for the prestigious Telluride Association summer program for high schoolers and how it descended into a dystopia of progressivism run amok, eventually turning its fire on the professor himself. The tale is not itself novel – there have been myriad such pieces across the media environment – but aspects of it are especially interesting given the professor’s own unabashed left-wing ideology.

The piece is worth reading in full, but there are some quotes that stand out, both in understanding the truly cult-like dynamics on display among the students and in the professor’s complicity in his own cancellation.

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Beware of “Democracy in Danger”

The rhetoric of imminent threats to the political system has been used and abused throughout history to stifle dissent, polarize politics, ostracize opposition, and much, much worse.


Political persuasion has been an art for millennia, going back to the very earliest non-absolutist systems such as ancient Greece and republican Rome. In those days, the targets of persuasion were primarily a socially-homogenous elite oligarchy which controlled politics without real input from the majority of the people. As time went on and these systems evolved (with fits and starts) into their more modern and recognizable forms, bringing more people into the political process, the targets of persuasion broadened. This expansion of the electorate, especially after the democratic revolutions and reforms of the 18th and 19th centuries, helped lead to the simplified messaging, inflammatory rhetoric, and hyperbolized language we are so familiar with today. Perhaps the easiest message by which to persuade voters to your side is the invocation of peril, especially to the political system or “way of life.” Much of the power of this message emanates from the association of the State with the People more broadly; instead of Louis XIV’s formulation “L’état, c’est moi,” we have a more pluralistic – although no more accurate – vision, “Létat, c’est nous.” This binding of People with State makes it possible to expand a narrow political danger to encompass all of society, feeding an attitude of existential menace. This stoking of a feeling of danger to the very foundations of the nation (and thus the People) is a powerful motivator by which to get your way politically; as such, it has been used by governments repeatedly over the past two centuries to achieve their goals – often for the worse.

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The History of Art: The Death of Socrates

“Therefore I say to you, men of Athens, either do as Anytus tells you, or not, and either acquit me, or not, knowing that I shall not change my conduct even if I am to die many times over.”

Socrates in Plato’s ‘Apology’[1]

The quote above, from Plato’s Apology, was purportedly spoken by the ancient philosopher-sage Socrates just prior to his condemnation to death by the men of Athens. His crime? According to Plato, Socrates was condemned to death for the unforgivable offense of ‘corrupting the youth’ of the august city-state through his teachings, philosophy, and exhortations to greater self-knowledge. The resolve with which Socrates met his death and the stand he took for his principles have been celebrated throughout the ages as defining examples of political and philosophical courage. One of the historical eras which was typified by its fascination with the ideas and history of the ancient Greco-Roman world was the period of the late Enlightenment just prior to the French Revolution. The story of Socrates and his principled stand in the face of a hostile state was extremely resonant for French intellectuals in this period; one such intellectual was the famed painter Jacques-Louis David, who crafted a masterpiece depicting the moments before Socrates drank the hemlock that would kill him. David’s masterwork, The Death of Socrates[2], is a powerful visual representation of a literary and historical event as well as being an exemplar for an Enlightenment attitude – the value of defending one’s principles even to death – that would resound throughout the French Revolution.

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